TWIN SISTERS MAKING ART IN THEIR OWN WAYS

I never really thought of my twin sister as an artist. I was the artsy one and she was the book worm. She was always, always, always reading. And I was always, always, always making art. When we branched off to college, she received her degree in journalism, and I in photography. And only in recent years have I had the pleasure of seeing the authentically creative side of her. Turns out, she’s been collaging longer than I have! And it also turns out that she writes poetry on a regular basis. Good poetry! She just never really shows anyone or shares her work. And as we grow older and come to know each other even more deeply, I so enjoy the opportunity for us to discuss and share our art with each other. Continue reading TWIN SISTERS MAKING ART IN THEIR OWN WAYS

WOMEN ANSWER: WHAT DO YOU LOVE ABOUT BEING A WOMAN?

For this article, I polled a range of women, most of whom I have never met, but whom I admire from afar. I am so humbled by the responses I received and feel such gratitude towards all of the women who chose to offer their opinions and wisdom. That being said, in these responses, it is so obvious to me the complexity of this question. Answering it requires an immense amount of thought, delicacy, reflection, and sensitivity. Continue reading WOMEN ANSWER: WHAT DO YOU LOVE ABOUT BEING A WOMAN?

4 WAYS TO CREATE MEANINGFUL ART

I wouldn’t call myself a “successful” artist in the professional sense. My work rarely sells, I don’t practice regularly, and it’s not my sole vocation. However, I do believe I know my shit when it comes to creating meaningful art. I have been making art for my entire life, I attended an accredited art university, and have exhibited my work in galleries and competitions for years. I know how to make art that moves people, regardless of my credentials, or lack thereof. And that is what this article is about. Continue reading 4 WAYS TO CREATE MEANINGFUL ART

GEORGIA O’KEEFFE’S FEMININE FLOWERS

I came across Georgia O’Keeffe’s (1887 – 1986) paintings years ago, when I was probably just a tween; and for some reason, at the time, I did not really notice the connection between her floral paintings and female reproductive parts. I have always been a bit innocent, a bit of a late bloomer, and innocence and youth can often blind us to the shock of sex. I suppose I was fairly blind. Continue reading GEORGIA O’KEEFFE’S FEMININE FLOWERS